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Sasanqua season 2018 – 2

I’d missed a week when I visited Mt. Edgcumbe on Tuesday and things had moved on a bit, lots more was in flower. First up was ‘Hugh Evans’ (1G-046) and it was immediately obvious that this is going to be a good year for at least some plants. The blooms on this bush are bigger than usual and the petals wider, to the point of overlapping, which they don’t usually do.

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Camellia sasanqua ‘Hugh Evans’

There are several plants of ‘Hugh Evans’ in the collection and the next one is in the species section. (10-022) Both the individual blooms and the overall display are by far the best I’ve seen on this variety.

Hugh-Evans-6

Camellia sasanqua ‘Hugh Evans’

In the same section, at 10-047, is a large spreading bush of ‘Rainbow’. This is flowering much as it always does and I have no complaints with that. The wasps were enjoying the nectar supply too.

Rainbow-5

Camellia sasanqua ‘Rainbow’

Further down, in Area 1N, are two bushes of ‘Lavender Queen’ (1N-036 & 1N-037). These are sporting a few more blooms than usual but they are the same small misshapen things it produces every year. When you see such a feeble display you wonder if there is something wrong with the plant as it seems hard to believe the variety would have remained in cultivation otherwise.

Lavender-Queen

Camellia sasanqua ‘Lavender Queen’

Down in the lower Amphitheatre the Japanese section 3C has a few early bloomers, not all of them sasanquas. ‘Setsugekka’ is in full bloom but I covered that in my earlier blog. C. ‘Shiro-wabisuke’ is just beginning to open its beautifully perfumed flowers and C. japonica ‘Benidaikagura’ had a bloom open. It is usually the first of the japonicas to flower. Well back from the path and somewhat hidden from view is C. sasanqua ‘Mine-no-yuki’ (3C-022). This has pure white double flowers up to 6 or 7 cm across and had a few blooms open. Further along in 1L is ‘Snow Flurry’ (1L-040), which I mentioned in my earlier blog but could not ignore as it was looking superb.

Mine-no-Yuki

Camellia sasanqua ‘Mine-no-yuki’ & Camellia ‘Snow Flurry’ (hybrid)

Next to ‘Snow Flurry’ is ‘Winter’s Rose’ (1L-055), a pretty semi-double light pink which always flowers quite well. Also in Area 1L are two bushes of ‘Maiden’s Blush’, an upright one down the front (1L-027) and an almost prostrate one at the back (1L-028), which is the one pictured.

Winters-Rose-2

Camellia ‘Winter’s Rose’ (hybrid) & Camellia sasanqua ‘Maiden’s Blush’

Back home I have a bush of ‘Tanya’ on my allotment which puts the two plants of it at Mt Edgcumbe in the shade. I cannot believe that different growing conditions are the only explanation and seriously wonder whether the two plants in the collection are virus infected to the serious detriment of the flowers, in terms of size, quality and quantity. Probably the only way I shall ever know is to propagate mine then graft a piece of a Mt Edgcumbe plant onto it to transfer a virus if there is one. It’s around 4ft tall.

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Camellia sasanqua ‘Tanya’

The other sasanqua variety I have at home is the one just outside my front window. There is much to be said for having winter flowering plants where they can be enjoyed from indoors and this one fits the bill perfectly.

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Camellia sasanqua ‘Navajo’

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Sasanqua season 2018

Looking back I see that my first post on sasanquas last year was on October 11 as well, so this year is pretty much in step with last, in spite of the Beast from the East and a prolonged drought.

I was at Mt Edgcumbe on Tuesday and having missed a week, was keen to see whether anything was flowering. I found ten plants in bloom, of eight different varieties.

First up was Tanya, in Area 1G. This is in a very exposed position on high ground open to the west and its blooms are small and often misshapen, though I am not sure the two things are connected. I have a plant of this variety in almost equally hostile conditions and its blooms are much better.

Tanya-4

Camellia sasanqua ‘Tanya’ (1G-110)

Along Earls Drive most of the Camellias are on the steep bank to your right and not easy to get up to. However, along the left hand edge of the drive is a row of plants including three of C. sasanqua ‘New Dawn’. They are in quite deep shade and reluctant bloomers; I have still only seen blooms on two of them. Like ‘Tanya’, they are small, pink and pretty undistinguished.


Directly opposite them is a bush of Camellia sasanqua ‘Baronesa de Soutelinho’ and this was just opening its first bloom. These are white and about 5cm across.

Baronesa-de-Soutelinho-4

Camellia sasanqua ‘Baronesa de Soutelinho’ (5-006)

Moving on down to Area 10, the species section, two more varieties were performing. Camellia sasanqua ‘Plantation Pink’ has quite large blooms, 7cm or more across. There are two plants of it here but only the one more in the open was flowering. Right beside it a bush of Camellia hiemalis ‘Dazzler’ had a single bloom out. These are not huge, 6-7cm across, but are a vivid pink colour and semi-double.


Further down the hill Areas M and N form one large block in the shade of a group of massive London Plane trees. The planting is a bit too close and some robust pruning has been carried out this year. This is not ideal territory for sasanqua varieties but the two plants of Camellia sasanqua ‘Papaver’ flower reasonably well most years. The blooms are very pale pink, appearing white from a distance and generally very irregular in shape. They are around 8cm across.


In the bottom of the Amphitheatre the sections along one side are almost south facing and with several trees having fallen in the last couple of years, are becoming quite open. This is much to the liking of the sasanquas, less good for most of the other camellias that are there. In the Japanese section, Area 3C, there are two plants of Camellia sasanqua ‘Setsugekka’, one of which was badly damaged by a Nothofagus falling on it earlier this year. The other is a large open bush which always flowers well, producing large (10cm) single white blooms that are popular this late in the year with wasps and seemingly earwigs.


Area 1L is a little further along the same bank and also suffered extensive damage from a recent tree fall. Camellia ‘Snow Flurry’ was lucky enough to escape damage and is now getting several hours of sunlight a day instead of none, to its considerable benefit. The blooms are about 6cm across and are produced over a long period on a somewhat rangy bush. Taking pictures of it was made more interesting by the wasps nest at its foot but they seemed to have problems of their own as the nest had been attacked and scattered around by some intrepid beast.


The Photogaphs

Just looking at the two pictures of ‘Snow Flurry’ illustrates a couple of problems with photographing Camellias. The obvious one of being attacked by wasps is part of a wider problem of it often being difficult to get a good footing. The left hand picture was taken in dappled light, which sounds nice, looks nice and is a real pain when taking pictures. It means very high contrast between the sunlit and unlit parts of the picture. It means the bloom is lit as if by a spotlight being held by a drunk. It means the colour temperature doesn’t know whether to be bluish because of the shade or reddish because of the low autumn sunlight.

Light levels in winter are low and in the shade of trees still lower. It is often windy so the subject is often moving. Sometimes the sun is out one second, gone the next, making choosing camera settings tricky. I shoot in RAW but processing the images always takes place hours, sometimes days, after taking the shots. Tweaking images to get the colour as accurate as possible relies on remembering exactly what the colour was. Varieties like ‘Dazzler’, illustrated above, often have blue tones in them, especially after a slight frost. Just pulling a flower forward a bit so that it is in better light can significantly change the colour as seen by the camera. Our brains compensate so we don’t see it.

I adjust the colour on my desktop PC screen. It is much easier to see there than on the camera LCD screen. On my iPad the colours look a little different again. If I print images off, they can be very different from any of the on screen versions.

So take what you see in pictures with a pinch of salt.

 

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Martha Brice.

There are two plants labelled Camellia japonica ‘Martha Brice’ in the Mt Edgcumbe collection, one in Australian Section 4C, the other in American Section 1E. They are quite different so at least one must be labelled incorrectly. I have concluded that it is the one in Area 4C that is correct, in spite of ‘Martha Brice’ being an American variety. I believe the plant in Area 1E to be another American variety, ‘Marie Bracey’.

4C-003-Martha-Bryce-02

Camellia japonica ‘Martha Brice’ (4C-003)

There are two plants labelled ‘Marie Bracey’ in Area 1H but they do not remotely match the description in the Register or either of the two “Martha Brice’s” and are presumably something else. They need not concern us here.

In 1987 Les Woodward wrote an article about the Mt Edgcumbe collection for the ICS Journal, listing all the varieties in the collection at that time. The list is not alphabetical, rather it looks like it was compiled from maps in the order they appeared on the page. It is therefore possible to work out which sections are being referred to, even though that information is not stated. In Section 1E ‘Marie Bracey’ is in the list.

In the collection records American folder, under Area 1E, is a piece of paper listing 12 varieties that are not on the pink list*. ‘Maria Bracey’ is one of the 12. Another note for Area 1E has 3 varieties “in tray” whatever that means. ‘Marie Bracey’ is one of them.
‘Marie Bracey’ was clearly in Area 1E at some point. In none of these lists is ‘Martha Brice’ ever mentioned, yet it appears on the map, whereas ‘Marie Bracey’ does not.

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Camellia japonica ‘Marie Bracey’ (1E-026) still labelled ‘Martha Brice’

The 1E plant labelled ‘Martha Brice’ fits the description of ‘Marie Bracey’ and matches the only picture I have seen of it. I believe someone has put the wrong name on the map and subsequently produced a label for the plant.

In the Camellia Register, ‘Martha Brice’ is described as semi-double, loose peony type, delicate soft pink. ‘Marie Bracey’ is described as coral-rose with 24-30 petals and 6-12 petaloids. These descriptions fit ‘Martha Brice’ 4C-003 and “Martha Brice”/’Marie Bracey’ 1E-026 reasonably well.

Marie-Bracey

Clue to mistaken identity.

There is however, an intriguing twist in the story.
‘Martha Brice’ was raised by Mrs E.M. Brice, Quitman, Georgia, and first flower in 1938
‘Marie Bracey’ was raised by Mrs H. Turner Brice, Valdosta, Georgia, and first bloomed in 1951.
Quitman to Valdosta is 17.5 miles on US-221.

(*) The pink list was a list of the collection compiled in 1990 as a handout for visitors.

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Never say die.

Sometime around mid July last year a very large beech tree came down in section 1L, making a mess of a number of the camellias in the section. It was several weeks before the tree was completely cleared and the damage could be properly assessed.  At that time I noted that 8 were damaged but would recover, 2 were very badly damaged, necessitating their being cut down to about 2 ft and three had been broken off at ground level.

Damage

The split trunk to the right is what remains of the tree that fell across section 1L, covering all of the bare soil area with its branches.

Not expecting the last three to recover, and their being no sign of them doing so by the winter, a plant from another section that was struggling in waterlogged ground, was moved and planted alongside the spot where ‘Strawberry Parfait’ (1L-043) had been.
By the end of 2017 all of the damaged plants had started to shoot and this continued strongly throughout 2018. The plant that was moved in, ‘Turandot’, succumbed to the drought, but astonishingly, ‘Strawberry Parfait’ decided to make a comeback. It is now growing strongly. ‘Little Man’ (1L-022) was also razed to the ground and has started to grow again.

Remains of ‘Strawberry Parfait’ on 21 June 2018, just beginning to shoot.
‘Strawberry Parfait’ by 7 August.
Little-Man-3

‘Little Man’ on 21 June & 7 August 2018

The two plants that were cut to two feet were ‘Kramer’s Beauty’ (1L-019) and ‘Garden Glory’ (1L-011). The regrowth on both is impressive and they look set to make a full recovery.

Kramers-Beauty

‘Kramer’s Beauty’ & ‘Garden Glory’ by 7 August 2018

The third of the ground level plants was another ‘Little Man’ (1L-021) and when I looked at it a few weeks ago there was no sign of growth. This was disappointing and somewhat surprising as there was some indication on the jagged six inch stump that callusing had been taking place. On Tuesday this week, roughly 14 months after the original devastation, I spotted green shoots emerging. Still less than half an inch high, they will need protecting if the plant is to recover. Hard things to kill, Camellias.

Look closely and you will see green shoots.
Zoom in.
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You looked? Well look again.

My note for 1G-006 ‘Blood of China’ is short and to the point, it should be solid red and is bicolored. It’s wrongly labelled, job done, move on, don’t need to look at that again. Well today I looked a little closer. What I saw was that there are bicolored flowers, almost solid red versions of the bicolored flowers and red flowers of a different hue, shape and with quite distinct foliage. Track which blooms are on which branches and it turns out that there are two plants together, one of which is ‘Blood of China’, the other probably ‘Comte de Gomer’.

That was first thing this morning. Practically the last thing I looked at, on my way to the car park, was ‘Rosemary Sawle’. There are two side by side in Area 9, quite different from each other. I concluded long ago that one was in fact ‘Olga Carlyon’. Today I noticed a particularly small bloom on the other plant. You can see it towards bottom right of the picture. Look closely and you will see that the main vertical stem has smaller leaves than the branches to the left with the larger flowers on them. Again, there are two plants together here, ‘Rosemary Sawle’ and probably a self sown seedling of a williamsii cross. In my defence this may be the first time that part of the bush has flowered.Rosemary-Sawle

It’s getting towards the end of Camellia season, except for a handful of stragglers. There was a lot to see today though and my camera was kept busy. Here are some highlights to enjoy.

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Of Clouds and Silver Linings

View

I headed up to Mount Edgcumbe this morning, it being Tuesday. It was cloudy but dry when I set out. The Rame Peninsular, occupied at its eastern end by the Edgcumbe Estate, has its own climate. This morning it was 50m visibility fog, with a drizzle that was getting steadily heavier. I stayed an hour, then came home. I was getting wet and so was my camera.

The silver lining, and I’m clutching at straws here, is that cloudy is easier to deal with than bright sunshine when taking pictures of flowers. Bright sunshine creates harsh contrasts and the softer sunlight at either end of the day often impacts badly on accurate colour rendition.

Heavy cloud reduces light levels, meaning a wider aperture or slower speed or higher ISO is often needed. Flowers are very often moving, even in very light wind, so a sufficient shutter speed is needed to freeze the movement. A wider aperture means less depth of field, which means much of the picture will be out of focus. Blooms with well defined centres which draw the eye can work if the focus is sharp at that point, but less well defined flowers need a greater depth of field. Fortunately I can push the ISO on my camera to 800 or even 1600 without too much loss of picture quality.

Here then are some of the photos I took.

 

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It’s an odd year, as usual

Every year is an odd year. When you revisit the same place year after year you really notice the differences.

This year at Mount Edgcumbe there seem to be a lot of exceptionally large blooms and a lot of exceptionally small blooms. That is, some varieties are flowering bigger than usual, some smaller.

Another oddity is that Lady St Clair has opened properly. Most years it only half opens, remaining cup shaped. This year, masses of blooms and every one fully open. It could almost fool you into thinking it is worth growing. I doubt it has done this more than one year in ten, in my experience.

Lady-St-Clair

Camellia japonica ‘Lady St Clair’

There are other, very similar varieties that open properly every year. ‘Ave Maria’ is one, and deservedly popular. One in the collection that is rather buried in the middle of the formal double section, so seen by almost no-one, is ‘Eleanor Hagood’. Its location makes it difficult to photograph as its very shady.

Eleanor-Hagood

Camellia japonica ‘Eleanor Hagood’

 

 

Camellia japonica ‘Augusto Leal de Gouveia Pinto’ is usually shortened to ‘Augusto Pinto’. It is a mainstay of the showbench and is a white margined sport of the red variety ‘Grand Sultan’. I have occasionally seen red blooms on bushes of ‘Augusto Pinto’. This bloom is a reminder that there is white in there too, though I am not aware of a pure white sport.

Augusto-Pinto

Camellia japonica ‘Augusto Leal de Gouveia Pinto’

And then there is this little lot.

I find it very hard to render colours consistently, taking photographs as I do in full, bright sun, in shade, in deeply overcast conditions and so on. It seems to me that these five plants are almost certainly the same variety. The flowers are the same size, shape and colour and are produced at the same time. They are all in the Mt Edgcumbe collection and they are all labelled something different. I lean towards ‘Comte de Gomer’ but haven’t altogether ruled out ‘Vittorio Emmanuel II’.
All inputs to the debate are welcome.