Of Clouds and Silver Linings

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I headed up to Mount Edgcumbe this morning, it being Tuesday. It was cloudy but dry when I set out. The Rame Peninsular, occupied at its eastern end by the Edgcumbe Estate, has its own climate. This morning it was 50m visibility fog, with a drizzle that was getting steadily heavier. I stayed an hour, then came home. I was getting wet and so was my camera.

The silver lining, and I’m clutching at straws here, is that cloudy is easier to deal with than bright sunshine when taking pictures of flowers. Bright sunshine creates harsh contrasts and the softer sunlight at either end of the day often impacts badly on accurate colour rendition.

Heavy cloud reduces light levels, meaning a wider aperture or slower speed or higher ISO is often needed. Flowers are very often moving, even in very light wind, so a sufficient shutter speed is needed to freeze the movement. A wider aperture means less depth of field, which means much of the picture will be out of focus. Blooms with well defined centres which draw the eye can work if the focus is sharp at that point, but less well defined flowers need a greater depth of field. Fortunately I can push the ISO on my camera to 800 or even 1600 without too much loss of picture quality.

Here then are some of the photos I took.

 

It’s an odd year, as usual

Every year is an odd year. When you revisit the same place year after year you really notice the differences.

This year at Mount Edgcumbe there seem to be a lot of exceptionally large blooms and a lot of exceptionally small blooms. That is, some varieties are flowering bigger than usual, some smaller.

Another oddity is that Lady St Clair has opened properly. Most years it only half opens, remaining cup shaped. This year, masses of blooms and every one fully open. It could almost fool you into thinking it is worth growing. I doubt it has done this more than one year in ten, in my experience.

Lady-St-Clair

Camellia japonica ‘Lady St Clair’

There are other, very similar varieties that open properly every year. ‘Ave Maria’ is one, and deservedly popular. One in the collection that is rather buried in the middle of the formal double section, so seen by almost no-one, is ‘Eleanor Hagood’. Its location makes it difficult to photograph as its very shady.

Eleanor-Hagood

Camellia japonica ‘Eleanor Hagood’

 

 

Camellia japonica ‘Augusto Leal de Gouveia Pinto’ is usually shortened to ‘Augusto Pinto’. It is a mainstay of the showbench and is a white margined sport of the red variety ‘Grand Sultan’. I have occasionally seen red blooms on bushes of ‘Augusto Pinto’. This bloom is a reminder that there is white in there too, though I am not aware of a pure white sport.

Augusto-Pinto

Camellia japonica ‘Augusto Leal de Gouveia Pinto’

And then there is this little lot.

I¬†find it very hard to render colours consistently, taking photographs as I do in full, bright sun, in shade, in deeply overcast conditions and so on. It seems to me that these five plants are almost certainly the same variety. The flowers are the same size, shape and colour and are produced at the same time. They are all in the Mt Edgcumbe collection and they are all labelled something different. I lean towards ‘Comte de Gomer’ but haven’t altogether ruled out ‘Vittorio Emmanuel II’.
All inputs to the debate are welcome.